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The Sedoka is an unrhymed poem made up of two three-line katauta with the following syllable counts: 5/7/7, 5/7/7. A Sedoka, pair of katauta as a single poem, may address the same subject from differing perspectives.
A katauta is an unrhymed three-line poem the following syllable counts: 5/7/7.
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Mathnawi or Masnavi is normally poetry written in rhyming couplets. It is believed it emerged from an Iranian form around the 4th – 10th century, and the name is Persian and is not Arabic as some claim. The subject is usually heroic, romantic, or religious. Some Persian Mathnawi are especially significant in Sufism, Rumi’s Mathnawi-i-Ma’nawi is an outstanding example.
Here are the guidelines:
Couplet (or two-line) form...
...but with the qualifier that each "line" is actually a "half-line" and that they rhyme horizontally
Most Persian Mathnawi are normally eleven (11) syllables, occasionally ten (10). There is no limit to the number of couplets. It has a rhyme scheme is aa/bb/cc/dd and so on
Sweltering beneath scorching sun of life Rosey thorns pricking feet yearning to thrive Parched while roaming endlessly in coarse strife Shredding my heart a journey to survive Fleeting Breaths keeps the pace of rushing time Dawn of solace rise in your smile sublime Hues of your warmth rejuvenate my zeal Quenching barren meadows with love you heal A gentle breeze of breath in your allure Sway away in a trance of your lips' veil Panacea of life in your adore
Sailing in rue down the ocean of life Coarse within saltiness left in contrive Gasp for air in-depth of loneliness rife Escaping teeth of sharks hidden in hives Searching for drifting shores away from grime Hopes shimmers in your dreamy coral mime Waves lifting buoyancy in your warm feel Drenched in hues of the horizon you steal Yearning for your swash of solace so pure My fears in your ocean of love conceal Panacea of life in your adore
Ruffling betwixt the dark thickets of life Lost in woods, wild howling on the death drive Twigs of despair shredding heart like a knife Deafening hollows of death left to rive Shrouded by those ghastly arrows of crime Soothing psithurism of your whispers chime Enchanting flora blooming in your reel Music of amity along your heel Feeling so rapt in your arms of demure Discovering my soul in your appeal Panacea of life in your adore
Freezing beneath the piercing chill in life Numbness captures my lone heart as frost rive Feet now stuck beneath the fleeting snow dive Engulfed in gloom within fading shine strive Gasping for a breath of hope in raw clime Crystals sparkle with a sage touch of thine Life's hues glow midst you're pristine fair genteel Lights dance across an inky black sky wheel Clock freeze within your alluring love tour Bare trees open windows to beauty reels Panacea of life in your adore
Drenched amidst incessant showers in life The thunderstorms and lightning strikes arrive Wading through clogged troubles rising now twice Storms swirling soaking soul in tears and cries Stress landslides collapse wish to be alive Showers of your amour lifts to cloud nine The petrichor's fragrance spur zeal of mine Melodies of raindrops kiss to unseal Souls wet in love entwine to divine feel Alluring milieu caress wounds with cure Soaking my heart with adore was the deal Panacea of life in your adore
Fleeting mirage of aurora Supine stare at deadlocks Aquiver lips dreamy flora Misty scent of elflocks Sonorrous susurrate her sways Mellifluous whispers amaze Mellifluous Mellifluous Left me in limerence ablaze
Swaddle supine within bosoms Rouse aurora above Sonorrous heartbeats of poems Tangled elflocks of love Zephyr grace as lips aquiver Love's Reverie limerence spurs Love's Reverie Love's Reverie As mellifluous love whispers
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:
Rhyme scheme: a/b/a/b/c/c/d,d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
Theme was to use words : Sonorrous, Supine, Aurora, Mellifluous, Elflock, Aquiver and Limerence
The cyhydedd naw ban is a simple Welsh poetic form that uses couplets to keep things even within each poem. In its most simplistic form, a cyhydedd naw ban is a poem comprised of 9 syllables couplets that rhyme with each other.
Each line in the stanza is nine syllables long.
The stanza has an even number of lines.
Each line in the stanza end rhymes with another line (any line) in the stanza.